今年DG公司为Hilary Hahn出了一张纪录片，下面是官方简介：This DVD includes the documentary Hilary Hahn - On the Road, directed by Benedict Mirow and broadcast on German television in 2005, which follows the violinist from continent to continent as she talks about her life and her music, takes in local sights, rehearses and performs. Also included are backstage moments and a visit to the Curtis Institute where she studied, and live performance excerpts from the Korngold Violin Concerto with Deutsches Symphonie-Orchester Berlin and a Mozart sonata with pianist Natalie Zhu.

27岁的Hilary Hahn是我心中最圣洁的女神，清纯脱俗，琴艺高超。从1997年开始到现在，10年光阴，13张唱片。从巴赫到莫扎特，从贝多芬到帕格尼尼，从勃拉姆斯到肖斯塔科维奇，小姑娘把音乐史上最重要的小提琴文献差不多都录齐了。

Amazon上有位意大利的乐迷A. Ivano Zuc对于Hilary Hahn2000年在逍遥节演出的唱片The Last Night of the Proms的评价深得我心，引用如下：

The Proms have to say: thank you Hilary

Yes, everybody from Andrew Davis to the last person in Hyde Park listening to the concert has to say this words: thank you Hilary Hahn. Her performance, in my opinion, has been the most beautiful, touching, measured moment through all the event. While everybody screamed on any other piece, demonstrating that in this kind of events the most important thing is the SHOW (the "English" show...)(一点不假^_^), during Hilary Hahn's performance (half an hour with Mozart violin concerto n.4 and Bach's presto from sonata n.1 as encore) nobody spoke. everybody stopped and stared at an angel playing the violin. only Hilary Hahn can do that in a Hall with more than 6000 people inside watching her.

A religious silence covered the royal albert hall that night, when she started playing. the other pieces in the program are the symbol of English music, of UK's military power(没办法, Rule Britain是每年必演曲目，好比维也纳新年音乐会的拉特斯基进行曲); but every orchestra plays this kind of music in the same way.

nothing to do with miss Hahn: no one plays like her.conductor...2 stars (he's not precise...); orchestra 4 stars;5 stars to Hilary (is it possible to put 10 stars...?).

好吧,我承认今晚的音乐会我是冲着潘寅林去的.电视上看他的演奏看多了,多少还是会产生感情的.

潘寅林老师演奏的曲目是巴赫的<A小调小提琴协奏曲>，我对这首曲子有特殊的感情。当年我就是从这首协奏曲开始喜欢巴赫的，无论何种心理状态下，听到这首协奏曲我都会感到无比振奋。

但是今晚潘寅林老师错音太多了，第一乐章里面就拉错了很多，特别是第一小节和最后一小节那两个音错得利害，听得我在台下直敲头。另外还有不少地方音准有问题……

协奏曲之后，潘老师安可了《G弦上的咏叹调》，这次倒没有什么错音。

和其他观众一样，我还是对潘寅林老师的献演充满崇敬和感谢。没有商业沾染的音乐真好，即便演出本身打了一些折扣。

在潘老师之前演出的是巴赫的一首无伴奏大提琴和三首长笛奏鸣曲，听完之后更坚定了我的两个信念：

1、巴洛克音乐是所有音乐流派中最具有生命力的，再过几百年仍将是。

2、巴赫的音乐宝藏永远挖掘不尽。

所以本space的名字“Back to Bach”还将继续无限期使用下去。